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Shows & Tickets
01.10 – 01.13.2019
Audrey Skirball Kenis Theater View Seating Chart
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Hear hit music performed by the songwriters themselves in an intimate, cabaret-style setting at the Geffen Playhouse. Special guests Holly Knight (Pat Benatar's "Love is a Battlefield," Tina Turner's "The Best") Billy Steinberg (Madonna’s "Like a Virgin," Cindy Lauper’s "True Colors") and The Warren Brothers (Tim McGraw’s "Felt Good On My Lips," Dierk Bentley’s "Feel That Fire") join singer/songwriter Rita Wilson for a lively mixture of music and the behind-the-scenes backstories to your favorite songs.
Performance Information
No one under the age of 21 will be admitted to this production.
06.16 – 07.19.2020
Three witches, a prophecy and the ambitious general Macbeth set the stage for Shakespeare’s timeless tragedy about the dangerous allure of power, starring Emmy Award nominee Nikolaj Coster-Waldau (Game of Thrones).
Gil Cates Theater
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10.22 – 12.01.2019
Larissa FastHorse’s biting satire puts the American origin story itself in the comedy-crosshairs when three “woke” white thespians are tasked with devising an elementary school pageant about the first Thanksgiving.
Audrey Skirball Kenis Theater
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11.06 – 12.10.2019
In a reimagined version of the iconic play and noir film, Academy Award nominee Andy Garcia (Ocean’s Eleven, The Godfather III) takes on the role of mobster Johnny Rocco in this classic Bogart and Bacall thriller.
03.03 – 04.12.2020
Survival becomes the name of the game in Marisela Treviño Orta’s new play about a fraught family camping trip interrupted by news of a mysterious outbreak.
02.04 – 03.08.2020
A rousing, romping, music-filled look at the real life of Julie d’Aubigny, a 17th century French swordswoman.
05.05 – 06.14.2020
Can you solve the enigma? Prepare for an immersive experience of puzzles, cryptology and illusions by renowned magician and New York Times crossword constructor David Kwong.
04.07 – 05.10.2020
Theresa Rebeck’s shrewd comedy puts the spotlight on legendary actress Sarah Bernhardt’s quest to challenge whether a woman’s place was “to be or not to be” in the greatest role ever written.
